It's All Journalism

Journalism is not dying. It's changing.

May 25, 2013
by ItsAllJournalism
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‘Connecting dots in the dark:’ LinkedIn expert shares his tricks for reporters

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By Megan Cloherty

WASHINGTON – “Connecting dots in the dark,” is how marketing aficionado Mark Amtower uses to explain how LinkedIn has changed the professional landscape as far as networking and connecting with sources.

A self-described LinkedIn expert, Mark Amtower also teaches the Government Market Master program at Capitol College. (Courtesy Kim Hairston/Baltimore Sun)

A self-described LinkedIn expert, Mark Amtower also teaches the Government Market Master program at Capitol College. (Courtesy Kim Hairston/Baltimore Sun)

Amtower was invited to join the fledgling social media platform in 2004 soon after it launched. He says while he’s enjoyed learning how to maximize its potential, the strongest aspect about the social networking site isn’t in its numbers, but in its groups.

“There’s about 1.7 million groups on LinkedIn. These are self-identifed communities of people who share various interests,” Amtower says.

He explains how to search out individuals within a company to find contacts.

Read a transcript of our interview with Mark Amtower.

“Through LinkedIn, you can look up the company, and, if the company has a profile, it will tell you how many employees of the company are there, whether they’re first, second or other degree to you. If they’re first or second, you can puruse them. The first degree connections, obviously, you know or you kind of know. The second degrees, there’s usually a lot more of those, but you’re able to look at them. So, you’re able to find the kinds of people you want,” Amtower says.

When it comes to building profile, as a reporter, Amtower says to think about how you want to use it. Is it a profile to find another job or is it a means of making contacts? If it’s the latter, he suggests posting relevant information about your background to essentially “sell” yourself to the contact.

“For reporters, if you really want to leverage LinkedIn, your profile has to be pretty informationally robust about who you are, what you’ve done, where you’ve been.”

“For reporters, if you really want to leverage LinkedIn, your profile has to be pretty informationally robust about who you are, what you’ve done, where you’ve been. And when you reach out to people, they’ll understand the value you could bring to them by talking to them,” he says.

Amtower says integrating yourself into groups is an important step that will forge online connections. He suggests sharing articles or blog posts on group discussion pages.

“I post them in groups, but what it does is not simply raise my visibility, but if the articles are truly germane to the group, it raises my credibility. The same thing for journalists. If you’re an unemployed journalist and looking for a job and you have a blog, post news very germane to specific groups and then include your blog posts among that. And you’re raising your visibility to other media people as a result. So, if there’s an opening there, the likelihood is that they already know who you are,” Amtower says.

Amtower’s expertise is in government contracting, and his 5,000 connections are largely in that industry. He hosts a show called “Amtower Off-Center” on Federal News Radio and can be contacted @amtower on Twitter and at /markamtower on LinkedIn.

Read a transcript of our interview with Mark Amtower.

May 18, 2013
by ItsAllJournalism
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Journalism abroad: Grad student gains first-hand perspective on South African media

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By Megan Cloherty

WASHINGTON – Practicing the tenets of free press in a newly free country was a whole different experience for a young journalist and previous guest of It’s All Journalism.

Julia O'Donogue spent the first half of 2013 in South Africa working for 'Business Day.' (Courtesy Anna Miars)

Julia O’Donoghue spent the first half of 2013 in South Africa working for ‘Business Day.’ (Courtesy Anna Miars)


Julia O’Donoghue joined us a few months ago on the podcast as a guest producer and has just completed a trip to Johannesburg, South Africa working for Business Day. O’Donoghue is a graduate of Northwestern’s Medill School of Journalism and a participant in the school’s global scholar program.

She says one of the first things that struck her about the difference in reporting in that country is how its political history altered the perspective.

“South Africa’s only been a democracy for 19 years,” she said. “It’s really only had a free press since 1990. Before that, it was heavily censored. The Apartheid government didn’t let the press report on a lot of things … . So, I was pretty impressed with how professional and how much like the American media that was.”

Read a transcript of our interview with Julia O’Donoghue.
The biggest story to break while she was in country was the domestic violence case involving Olympic athlete Oscar Pistorius. O’Donoghue says the aftermath of the case generated interesting discussion both in the media on the air and in the newsroom.
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May 11, 2013
by ItsAllJournalism
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FOIA advocate Rick Blum tells journalists to be patient but persistent in seeking government records

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Rick Blum of the Sunshine in Government Initiative talks about the Freedom of Information Act in the next episode of It’s All Journalism (Photo by Anna Miars)

Rick Blum of the Sunshine in Government Initiative talks about the Freedom of Information Act in the next episode of It’s All Journalism (Photo by Anna Miars)

By Megan Cloherty

WASHINGTON – Rick Blum works as an advocate for journalists who may unfairly hear the word ‘no’ from a government agency. As coordinator of the Sunshine in Government Initiative, he champions the rights for transparency and open government provided by Freedom of Information Act.

While FOIA gives journalists the right request the release of government records, Blum says that process can often take time, especially at the federal level.

“It’s not going to force something to happen next week,” he said. “But, if you’re on deadline and you’re expecting to file a FOIA request with an agency, it’s going to be tough. I have to tell you. You’ve got to think ahead.”

In fact, the quicker route for a journalist may be going to his or her sources to track down the information. But, when all the usual avenues are exhausted, the reporter can easily fill out a FOIA request.

Read a transcript of our interview with Rick Blum.

“If you can be as specific as possible, you’re much more likely to get a response faster,” Blum said. “If you’re really fighting and you want to see all memos related to how a decision was made to declare a chemical safe, even though you’ve got residents, readers who are concerned about their drinking water or something like that, that might take a little longer and you might want to ask for a broader set of records. So, really try to figure out what you really need.”
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May 8, 2013
by ItsAllJournalism
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Podcast Preview: Rick Blum on the Freedom of Information Act

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Rick Blum of the Sunshine in Government Initiative talks about the Freedom of Information Act in the next episode of It's All Journalism.

Rick Blum of the Sunshine in Government Initiative talks about the Freedom of Information Act in the next episode of It’s All Journalism.

Rick Blum, coordinator of the Sunshine in Government Initiative, talks about how journalists can best use the Freedom of Information Act to better inform their stories.

It’s All Journalism is a weekly podcast focused on the changing state of the media. New episodes are posted every Saturday.

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May 4, 2013
by ItsAllJournalism
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Washington Post’s Kat Downs talks graphics reporting, breaking news visually

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Editor’s Note: This text has been edited to reflect a change in context. When quoted as saying the Post is “not there,” Downs’ comment was in reference to mobile-first design, not the paper’s mobile presentation. Her quote following that paragraph is swapped for another from our interview to enforce that point.

By Megan Cloherty

WASHINGTON – After five years at The Washington Post, graphics director Kat Downs says there is still a growing need for graphics reporters who are not only telling the story but who are visualizing it for the reader. Downs oversees the Post’s infographics, maps, diagrams and the design that goes into each graphics-supported story.

Post Graphics Director Kat Downs shares her insights with IAJ on Saturday, April 27, 2013. (Photo by Michael O'Connell)

Post Graphics Director Kat Downs shares her insights with IAJ on Saturday, April 27, 2013. (Photo by Michael O’Connell)

“It’s different than traditional reporting, because you’re really thinking about visual display, explanatory, a lot more data analysis, stuff like that. So, those people are really instrumental in finding the details that you don’t sometimes need in a written story but you need in order to put things on a map or into a diagram,” Downs says.

The graphics coming out of the Post’s coverage of the Boston Marathon bombings showed not only a timeline of events, but among other things, a map of the significant locations that became part of the investigation.

“We started building a street model that we ended up using a lot over the coming days,” she said. “And we started adding more information. I guess that was the day we had details come out about the pressure cooker bomb lid that was found. … So we started thinking about how we could explain the devices that were used, where they were, how they were put out, stuff like that.”
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May 1, 2013
by ItsAllJournalism
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Washington Post Graphics Director Kat Downs opens her portfolio

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Kat Downs

The Washington Post Graphics Director Kat Downs shares tips on how to show off your multimedia work. (Photo by Anna Miars)

After we wrapped up our interview with The Washington Post‘s Graphics Director Kat Downs, we realized that we forgot to ask her about her online portfolio, which we think is kind of neat. So, we turned the mics back on and conducted this brief interview.

Rather than adding the interview to our full podcast, we decided to offer it as a bonus feature to our listeners.

Check back on Saturday, May 4, 2013, for our full interview with Kat, when she talks about multimedia design, visual storytelling and how the graphics team contributed to the Post’s coverage of the Boston bombings.

April 27, 2013
by ItsAllJournalism
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Tiffany Shackelford: Journalism flourishes in an alternative space

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Tiffany Shackelford of the Association for Alternative Newsmedia talks about the positive things going on in the alternative press. (Photo by Megan Cloherty)

Tiffany Shackelford of the Association for Alternative Newsmedia talks about the positive things going on in the alternative press.

With all the discussion about how dire things seem in the mainstream press, it’s nice to hear about one corner of journalism that is flourishing in the new digital environment — namely the alternative weeklies and websites covering local news, music and entertainment.

“We actually in some ways have skipped over some of the mess that the mainstream media made of themselves in the digital space, which has been so awesome,” said Tiffany Shackelford, executive director of the Association for Alternative Newsmedia. “And, we’re going mobile first, digital first, thinking about smart partnerships with startups. So we are there now but maybe came, as my father said, “went around our ass to get to our elbow.”

Read a transcript of our interview with Tiffany Shackelford.

She talked candidly to It’s All Journalism producers Megan Cloherty and Michael O’Connell about some of the challenges alternative newsmedia is facing but also about its many successes.

“What I’ve been saying a lot is ‘smart’ is the new alternative. We’re writing long form, but it’s still popular,” Shackelford said. “Kids love it, believe it or not. And we’re writing really smart pieces that speak truth to power.”
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April 20, 2013
by ItsAllJournalism
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Time to Do-It-Yourself: Publishing, podcasting and comics

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Matt Dembecki, left, Carolyn Belefski and Joe Carabeo joined IAJ Producer Michael O'Connell in studio to talk about self-publishing, cartooning, podcasting and how to adopt a do-it-yourself approach. (Photo by Michael O'Connell)

Matt Dembecki, left, Carolyn Belefski and Joe Carabeo joined IAJ Producer Michael O’Connell in studio to talk about self-publishing, cartooning, podcasting and how to adopt a do-it-yourself approach. (Photo by Michael O’Connell)

By Michael O’Connell
Anybody who was surprised about the upheaval in newspaper publishing just wasn’t paying attention.

As entrepreneurial journalists create new ventures to bring their work to wider audiences — both online and in print — their pen and brush colleagues are doing the same.

Take Magic Bullet Comics, for example, a self-published newspaper highlighting the work of artists and writers living in the Washington, D.C., area.

“Initially, the project was to just kind of showcase our work,” said cartoonist Matt Dembecki. “You know, we liked the paper format.”

Magic Bullet #6 was published in February 2013.

Magic Bullet #6 was published in February 2013.


In 2005, he and a group of artists formed the DC Conspiracy, to find new outlets for their comics. Soon after, they launched Magic Bullet, a tabloid-sized newspaper filled with original artwork and writing.

“We just felt like maybe that was our in since newspapers were kind of going out of print, out of style,” Dembecki said. “This kind of left us with an opportunity to showcase our comics in a bigger format too. It appealed to a lot of folks in the group that instead of having mini-comics where you draw fairly large and you have to reduce it, here you can kind of play with a larger format and try different things.”

Magic Bullet’s sixth issue hit the streets in February with a four-color cover and centerfold.
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April 13, 2013
by ItsAllJournalism
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Everybody Eats — Jason Huffman and Amber Healy cover the $4.6T food industry

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Editor/Reporter Amber Healy, left, and Editor-in-Chief Jason Huffman of Food Chemical News talk to It's All Journalism about covering the food regulation industry.

Editor/Reporter Amber Healy, left, and Editor-in-Chief Jason Huffman of Food Chemical news talk to It’s All Journalism about covering the food regulation industry.

By Michael O’Connell

There’s a famous children’s book called “Everybody Poops.” If that title is true, then the inverse is also true — “Everybody Eats.”

The business of what people eat is a $4.6 trillion industry — the largest in the world.

Where there’s a topic of interest, especially one that involves every person on the planet, there will be journalists to cover it — from restaurant critics and cookbook reviewers to publications that focus on food production and regulations.

For almost 55 years, Food Chemical News has been providing detailed information about food regulations to an industry audience, via its print newsletter and website.

“Our audience is a fairly mixed bag of different types of professionals,” said Jason Huffman, editor-in-chief at Food Chemical News. “A lot of our readers are in the food industry, food company executives. We also have government officials who read our publication and consumer advocates, attorneys, consultants who serve the food industry. Some of them sue the food industry as well. It’s anybody who’s concerned with food regulation and that’s a large number of people.”

Read a transcript of our interview with Jason Huffman and Amber Healy.

Unlike other industry publications, Food Chemical News isn’t financed by advertising. It operates on a subscription model. That means it has to provide content for which its readers are willing to pay thousands of dollars a year to get.
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April 6, 2013
by ItsAllJournalism
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Be jealous of AJ Chavar or at least take some of his video producing tips

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By Megan Cloherty

WASHINGTON – It’s a unique thing in journalism that you find a job on the cutting edge of transition, where your work — in it’s original form — is considered special and your job is not in jeopardy. Now, finding that job is a reality for many journalists in Web design, analytics, video and in multimedia roles. But finding that gig at a traditional news organization? Seems like too rosy a picture. It’s in this glossy pink world of opportunity that we find AJ Chavar.

A.J. Chavar finds inspiration for his videos at the Washington Post in social media and other video sites projects. (Photo by Megan Cloherty)

AJ Chavar finds inspiration for his videos at The Washington Post in social media and other video projects. (Photo by Megan Cloherty)

While I’m writing a little more visually than usual, I do not mean to be trite. Chavar is in an enviable position at The Washington Post as a video journalist. And he earns the secure foothold he has there. We’ll include some of his work later in this post.

I was curious, as a journalist with TV news background, why he got into doing video at a newspaper versus seeking out a visual-first employer, like a documentary house or TV news station. He told me, my thinking was backwards — that unlike broadcast news outlets, newspapers are willing to take more latitude with their video content.

Read a transcript of our interview with AJ Chavar.

“When it comes to sort of beautiful documentary stories, you don’t see a lot of that in mainstream broadcast. That’s what I wanted to do. And, newspapers, sort of know that they can’t compete with broadcast stations when it comes to the things that they’re really good at. So, at newspapers, you’re able to work on in-depth, local stories and enterprise stories and you’re able to do things that are a little more beautiful and a little more poetic on occasion than I’ve seen people allowed to do or have the opportunity to do in broadcast,” Chavar said.

“I think what makes a good newspaper video story is one that people are moved to share.”

Video journalists at the Post work on their own, with reporters and with the newsroom on larger in-depth stories. Chavar says unlike a TV news piece that is relatively hard to find online even a few days after it airs, videos on the Post‘s site stand alone.
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